How Did Live Music Help Fans Cope After 9/11?

Over the last ten years, I’ve heard many personal stories about what my friends and family felt during and after the tragic events of 9/11.

And today, in one way or another, you’ll probably be sharing stories of where you were and what you felt when you heard the unbelievable and shocking news that the World Trade Center Towers had been attacked.

As I think about all the 9/11 stories being shared today, I’m reminded how many of the ones I’ve heard include details about how concert venues all across the world became unlikely shelters of comfort, support and cathartic solidarity.

I wasn’t at a concert right after 9/11, but I imagine such a scene would be similar to what it was like at Rock The Bells after Michael Jackson died. For me that concert was a very odd, uncomfortable and awkwardly sublime mix of mourning, entertainment and escapism.

And to continue our exploration of how traumatic and emotional events like 9/11 define our concert experiences,  I’d like to share with you a 9/11 live music story.

This story was originally posted as a response to our Joy, Grief and Community Experiment by our friend Mike Philips who explains how a post 9/11 PJ Harvey concert experience helped him to process and cope with the confusing mix of shock, sadness, grief and guilt.

It’s no easy task to describe what you feel during such a palpable moment.

But nonetheless, as you’ll see, Mike does a great job of taking us back to the scene.

One of my favorite things about his story is his honesty in expressing the emotional complexity of the moment. A complexity that I’m sure we can all relate with on many levels.

So without further ado, here’s Mike’s story, followed by an invitation to share yours.

Mike’s 9/11 Live Music Story: PJ Harvey at the Riviera

Allow me to share a grieving moment of my own through music.

September 13, 2001.

Two days after the horrific day of September 11. I remember the city of Chicago was dead silent. No airplanes, no loud music, no horns honking in traffic. It was a collective feeling of sadness and respect for human kind that hushed the normally bustling streets.

I had tickets to PJ Harvey at The Riviera in Chicago on the 13th, and was struggling; trying to decide if going to a rock concert was the right thing to do. It was a tough decision, but we decided to go – mostly because we didn’t want terrorists and hate-mongers to continue to alter our lives.

Before the show, the crowd was on edge. There were whispers and nervous laughter as nobody knew exactly what they were doing there. Everyone’s eyes revealed sadness and lingering shock.

PJ Harvey took the stage. She talked about an earlier band meeting – how they debated whether they should do the show. Were they being disrespectful? In the end, they decided they absolutely must play. That in times like these it is crucial for people to gather and mourn and help each other stand up.

She plugged in and ripped the first chord. It was loud. A chill shot up from my heels to the back of my neck. The air was suddenly warm and you could feel the audience take one giant deep breath and slowly exhale – as if we’d been deprived of oxygen for the past 48 hours. I became overwhelmed with sadness, then the far away screams of thousands of innocent people got a little quieter. We were all happy to be together. And we were exhausted but ready to rock.

Because that’s how we roll.

What’s Your 9/11 Live Music Story?

We thank Mike for sharing his story and now we invite you to share yours. Were you at a concert right after 9/11? How did that show help you grieve and cope? How was that concert different than other concerts you’ve been to? Did that experience change the way you think about live music?

Let us know what you thinking in the comments below and we’ll share your feedback during a future episode of Live Fix Radio.

Note: The video is from PJ Harvey’s show in New York on 9/8/11 via gardenfiles. It was the closest I could get to Riviera show. But if you have video of 9/13 concert let us know and we’ll post it up.

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