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	<title>Comments on: Why We Tweet and Text During Concerts</title>
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	<description>Exploring our addiction to the live music experience &#124;</description>
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		<title>By: Is SPINearth a Mobile Haven For Concertgoers? &#171; Live Fix</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-257</link>
		<dc:creator>Is SPINearth a Mobile Haven For Concertgoers? &#171; Live Fix</dc:creator>
		<pubDate>Tue, 27 Oct 2009 18:58:34 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-257</guid>
		<description>[...] know it played a pivotal role in how I saw and reviewed M.Ward&#8217;s and Miike Snow &#8217;s live [...]</description>
		<content:encoded><![CDATA[<p>[...] know it played a pivotal role in how I saw and reviewed M.Ward&#8217;s and Miike Snow &#8217;s live [...]</p>
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		<title>By: Chris</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-256</link>
		<dc:creator>Chris</dc:creator>
		<pubDate>Tue, 13 Oct 2009 18:28:24 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-256</guid>
		<description>You make many excellent points JM Roche!  I&#039;ve actually heard an artist address the issue of &quot;putting a device between them and the fan&quot; directly with fans at a recent concert.  It is certainly something that makes me wonder about why we do it.   I&#039;ll definiately be exploring this topic on future posts.  I hope you&#039;ll offer your feedback on that post as well.</description>
		<content:encoded><![CDATA[<p>You make many excellent points JM Roche!  I&#8217;ve actually heard an artist address the issue of &#8220;putting a device between them and the fan&#8221; directly with fans at a recent concert.  It is certainly something that makes me wonder about why we do it.   I&#8217;ll definiately be exploring this topic on future posts.  I hope you&#8217;ll offer your feedback on that post as well.</p>
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		<title>By: JM Roche</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-253</link>
		<dc:creator>JM Roche</dc:creator>
		<pubDate>Fri, 02 Oct 2009 11:16:38 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-253</guid>
		<description>I&#039;d like to re-post my previous response (it was not run (yet?)). I&#039;ve had a wee-bit more time to revise. Thanks!

If I Wanted my MTV I Would&#039;ve Stayed Home

It is certainly possible to appreciate the idea that reaching out and sharing a concert experience in real-time could make an event even more powerful. Unfortunately however, until the technology can be improved I still have a problem with people who fiddly-fock with brightly lit electronic devices held not only over their own heads but over my head as well. When the technology becomes iris to brain to transparent transmitter to fans everywhere then it will be acceptable. Until then bugger off with the damn phones.

At this point I must interject that if you are under, say 25, you are not not likely to wrap around the spirit of this. You may as well stop now before you get violent. Or, go ahead and say this is geezerrificcc with 3 or 4 letter repeats at the end. I do not care - in fact, plainly put, some of you probably should have been a period. On the other hand, there are those of you who are are old souls and will whole-heartedly agree. Let&#039;s be honest though, if you do agree it&#039;s more likely because you like the idea of being called an old soul. Flattery is much too easy.

At concerts I have witnessed people waiting for hours on end to get that perfect spot in front of the stage only to proceed to position their device directly between themselves and the artist during the entire show. Tell me how they are experiencing it in such a way as to be able to accurately describe it to someone else? They are viewing it through a phone. Even a photographer puts the camera down and looks at the subject periodically. In their attempt to so generously share the show, (are you sure they are not just bragging?) the fans around me have radically altered my experience. No artist intended the audience to watch their live show through a two inch screen under duress. Can&#039;t that be equated with forcing me to watch the television version when I’m supposed to enjoy the film version in all its glory? Some nit-twits may think this does not apply to them. They may have praised themselves in the past for devising such crafty hand positioning to hide the glow. Well, sorry to explain to them that covering doesn&#039;t help much in annoyance-avoidance. Now the other people trying hard to enjoy themselves are wondering if you are busy transmitting some picture that happens to include some unflattering view of them. But that point should be saved for future discourse on the willing loss of individual privacy.

Yes, it is wonderful to reach out and share the event with other people who may appreciate it. Wouldn’t the other humans who accompanied the texting-attendee qualify? Aren’t most of the people there because they share at least this one interest? Why not talk to the person next to you? At least you can size them up and you know what they are doing with their hands.

What happened to the idea of waking up and writing down the dream for later inspiration? Working to actively and purposefully select the most succinct descriptions and unique tidbits to share? That requires memory, concentration, and language skills. Spewing out raw emotion in rapid-fire form can be exilarating but too much of that and people will both forget how to really effectively tell a story and how to really listen to one. But hey, I&#039;ll finally have time to write a novel because anything over 140 characters will qualify as one.

Perhaps this role of instant gratifier could become a career path? Individuals desparately needing to express themselves for recognition or maybe even for altruistic reasons could sit in an area just off to the side so as not to distract other people from truly experiencing the event. In the press box perhaps?

JM Roche</description>
		<content:encoded><![CDATA[<p>I&#8217;d like to re-post my previous response (it was not run (yet?)). I&#8217;ve had a wee-bit more time to revise. Thanks!</p>
<p>If I Wanted my MTV I Would&#8217;ve Stayed Home</p>
<p>It is certainly possible to appreciate the idea that reaching out and sharing a concert experience in real-time could make an event even more powerful. Unfortunately however, until the technology can be improved I still have a problem with people who fiddly-fock with brightly lit electronic devices held not only over their own heads but over my head as well. When the technology becomes iris to brain to transparent transmitter to fans everywhere then it will be acceptable. Until then bugger off with the damn phones.</p>
<p>At this point I must interject that if you are under, say 25, you are not not likely to wrap around the spirit of this. You may as well stop now before you get violent. Or, go ahead and say this is geezerrificcc with 3 or 4 letter repeats at the end. I do not care &#8211; in fact, plainly put, some of you probably should have been a period. On the other hand, there are those of you who are are old souls and will whole-heartedly agree. Let&#8217;s be honest though, if you do agree it&#8217;s more likely because you like the idea of being called an old soul. Flattery is much too easy.</p>
<p>At concerts I have witnessed people waiting for hours on end to get that perfect spot in front of the stage only to proceed to position their device directly between themselves and the artist during the entire show. Tell me how they are experiencing it in such a way as to be able to accurately describe it to someone else? They are viewing it through a phone. Even a photographer puts the camera down and looks at the subject periodically. In their attempt to so generously share the show, (are you sure they are not just bragging?) the fans around me have radically altered my experience. No artist intended the audience to watch their live show through a two inch screen under duress. Can&#8217;t that be equated with forcing me to watch the television version when I’m supposed to enjoy the film version in all its glory? Some nit-twits may think this does not apply to them. They may have praised themselves in the past for devising such crafty hand positioning to hide the glow. Well, sorry to explain to them that covering doesn&#8217;t help much in annoyance-avoidance. Now the other people trying hard to enjoy themselves are wondering if you are busy transmitting some picture that happens to include some unflattering view of them. But that point should be saved for future discourse on the willing loss of individual privacy.</p>
<p>Yes, it is wonderful to reach out and share the event with other people who may appreciate it. Wouldn’t the other humans who accompanied the texting-attendee qualify? Aren’t most of the people there because they share at least this one interest? Why not talk to the person next to you? At least you can size them up and you know what they are doing with their hands.</p>
<p>What happened to the idea of waking up and writing down the dream for later inspiration? Working to actively and purposefully select the most succinct descriptions and unique tidbits to share? That requires memory, concentration, and language skills. Spewing out raw emotion in rapid-fire form can be exilarating but too much of that and people will both forget how to really effectively tell a story and how to really listen to one. But hey, I&#8217;ll finally have time to write a novel because anything over 140 characters will qualify as one.</p>
<p>Perhaps this role of instant gratifier could become a career path? Individuals desparately needing to express themselves for recognition or maybe even for altruistic reasons could sit in an area just off to the side so as not to distract other people from truly experiencing the event. In the press box perhaps?</p>
<p>JM Roche</p>
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		<title>By: JM Roche</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-252</link>
		<dc:creator>JM Roche</dc:creator>
		<pubDate>Fri, 02 Oct 2009 06:09:33 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-252</guid>
		<description>I certainly can appreciate the idea that reaching out and sharing a concert experience in real-time could make the event even more powerful. Unfortunately, however, until the technology can be improved I still have a problem with people who fiddly-fock with brightly lit electronic devices held over not just their own head but my head as well. When the technology becomes iris to brain to transparent transmitter to fans everywhere then it will be acceptable. I have witnessed people putting up with standing and waiting for hours on end to get that perfect spot in front of the stage only to turn around and put their device directly between themselves and the artist during the entire show. Tell me how they are experiencing it in such a way that they can accurately describe it to someone else? They are viewing it through a phone. Even a photographer puts the camera down and looks at the subject. In their attempt to so generously share the show (sure they just aren&#039;t bragging?) the fan in front of me at the show has
radically altered my experience as well. No artist intended the audience to watch their live show through a two inch screen under duress. Doesn&#039;t that equate to forcing me to watch the television version when I&#039;m supposed to enjoy the film version in all its glory? Even if the devices are held down, the light is not discreet and really detracts from my emotional experience.
Yes, it is wonderful to reach out and share the event with other people who may appreciate it. Wouldn&#039;t the other humans who accompanied the texting attendee qualify? Aren&#039;t most of the people there because they share at least this one interest? Why not talk to the person next to you? What about the idea of getting up and writing down the dream to be shared? Picking the jewels from the garbage? That requires memory, concentration, and language skills. Spewing out raw emotion in rapid fire form can be exilarating but too much of that and people will both forget how to really effectively tell the story and how to receive it. Perhaps this role of instant gratifier could become a career path? Individuals needing to express themselves so badly for both recognition and even perhaps altruistic reasons could sit in an area just off to the side so as not to distract other people from truly experiencing the event. The press box perhaps?</description>
		<content:encoded><![CDATA[<p>I certainly can appreciate the idea that reaching out and sharing a concert experience in real-time could make the event even more powerful. Unfortunately, however, until the technology can be improved I still have a problem with people who fiddly-fock with brightly lit electronic devices held over not just their own head but my head as well. When the technology becomes iris to brain to transparent transmitter to fans everywhere then it will be acceptable. I have witnessed people putting up with standing and waiting for hours on end to get that perfect spot in front of the stage only to turn around and put their device directly between themselves and the artist during the entire show. Tell me how they are experiencing it in such a way that they can accurately describe it to someone else? They are viewing it through a phone. Even a photographer puts the camera down and looks at the subject. In their attempt to so generously share the show (sure they just aren&#8217;t bragging?) the fan in front of me at the show has<br />
radically altered my experience as well. No artist intended the audience to watch their live show through a two inch screen under duress. Doesn&#8217;t that equate to forcing me to watch the television version when I&#8217;m supposed to enjoy the film version in all its glory? Even if the devices are held down, the light is not discreet and really detracts from my emotional experience.<br />
Yes, it is wonderful to reach out and share the event with other people who may appreciate it. Wouldn&#8217;t the other humans who accompanied the texting attendee qualify? Aren&#8217;t most of the people there because they share at least this one interest? Why not talk to the person next to you? What about the idea of getting up and writing down the dream to be shared? Picking the jewels from the garbage? That requires memory, concentration, and language skills. Spewing out raw emotion in rapid fire form can be exilarating but too much of that and people will both forget how to really effectively tell the story and how to receive it. Perhaps this role of instant gratifier could become a career path? Individuals needing to express themselves so badly for both recognition and even perhaps altruistic reasons could sit in an area just off to the side so as not to distract other people from truly experiencing the event. The press box perhaps?</p>
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		<title>By: You&#8217;re Invited to a Live Fix Experiment! &#171; Live Fix</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-255</link>
		<dc:creator>You&#8217;re Invited to a Live Fix Experiment! &#171; Live Fix</dc:creator>
		<pubDate>Tue, 22 Sep 2009 18:07:55 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-255</guid>
		<description>[...] reviews I write to the next level. The social media and sensory experiments I did during Rothbury, M.Ward , John Legend, and Black Moth Super Rainbow  all took me deeper into the show and showed [...]</description>
		<content:encoded><![CDATA[<p>[...] reviews I write to the next level. The social media and sensory experiments I did during Rothbury, M.Ward , John Legend, and Black Moth Super Rainbow  all took me deeper into the show and showed [...]</p>
]]></content:encoded>
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		<title>By: Live Review: M. Ward Lifts Chicago Off Its Feet &#171; Live Fix</title>
		<link>http://christophercatania.com/2009/05/23/tweeting-txting-the-watson-twins/comment-page-1/#comment-254</link>
		<dc:creator>Live Review: M. Ward Lifts Chicago Off Its Feet &#171; Live Fix</dc:creator>
		<pubDate>Fri, 05 Jun 2009 17:54:08 +0000</pubDate>
		<guid isPermaLink="false">http://christophercatania.com/?p=1141#comment-254</guid>
		<description>[...] in April, I reviewed M. Ward&#8217;s show at the Vic Theatre. That night I also did a Live Fix experiment, which involved moving around the venue and tweeeting what I felt, saw and [...]</description>
		<content:encoded><![CDATA[<p>[...] in April, I reviewed M. Ward&#8217;s show at the Vic Theatre. That night I also did a Live Fix experiment, which involved moving around the venue and tweeeting what I felt, saw and [...]</p>
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